In 1972, the world was buzzing with change. Title IX was signed into law, banning sex-based discrimination in educational settings; Ms. magazine hit the newsstands; and Marlo Thomas, along with a talented crew of friends, released “Free to Be…You and Me.” This groundbreaking album for children tackled topics like gender roles, equality, and acceptance in a way that resonated deeply with kids everywhere. Who can forget belting out the anti-bullying anthem “William’s Doll” or the touching ballad “It’s Alright to Cry” in the backseat of the family car?
The inspiration for “Free to Be…” came when Marlo Thomas was on a quest for bedtime stories for her baby niece. Instead of finding empowering tales, she was met with books that perpetuated outdated gender stereotypes. Determined to create something different, she rallied fellow entertainers, including the likes of Mel Brooks and Diana Ross, to produce an album that would redefine childhood for many.
While some parents today might still introduce “Free to Be…You and Me” to their children, many others have opted for more contemporary children’s music. I once gifted this classic album to my young niece, only to find it collecting dust during my recent visit. It seems I was a bit idealistic, trying to introduce her to my cherished childhood classic while she preferred the catchy tunes of “Teen Beach 2” or “Frozen.” Nevertheless, the album’s messages and catchy melodies are just as significant and uplifting today.
Highlights from the Album
- Free to Be…You and Me (music by Stephen J. Lawrence, lyrics by Bruce Hart, performed by The New Seekers)
The title track is an anthem encouraging kids to embrace their individuality. Its uplifting lyrics—“Take my hand, come with me, where the children are free”—echo the spirit of inclusivity that we all still yearn for. - Boy Meets Girl (written by Carl Reiner and Peter Stone, performed by Mel Brooks and Marlo Thomas)
In this playful exchange, Mel Brooks and Marlo Thomas humorously challenge gender stereotypes through a comedic misunderstanding, showcasing the absurdity of rigid gender roles. - When We Grow Up (music by Stephen J. Lawrence, lyrics by Shelly Miller, performed by Roberta Flack and Michael Jackson)
This poignant song captures the childhood anxiety about adulthood and assures kids that friendship can withstand the tests of time and change. - Don’t Dress Your Cat in an Apron (written by Dan Greenburg, performed by Billy De Wolfe)
This catchy tune promotes the idea that everyone should wear what makes them comfortable, celebrating individuality in a fun way. - Parents Are People (written by Carol Hall, performed by Harry Belafonte and Marlo Thomas)
This delightful track reminds children that their parents have lives beyond their roles as caregivers, introducing the idea that mommies and daddies were once kids with their own dreams. - Housework (written by Sheldon Harnick, performed by Carol Channing)
Carol Channing reveals the truth about housework—it’s not as glamorous as commercials make it seem! She encourages teamwork to make chores more bearable. - Helping (written by Shel Silverstein, performed by Tom Smothers)
A humorous take on the different kinds of help kids can offer, this poem serves as a reminder that not all help is helpful—especially when it leads to chaos. - Ladies First (based on a Shel Silverstein poem, performed by Marlo Thomas)
In a cautionary tale about entitlement, this track humorously critiques a bratty princess who learns a valuable lesson about humility. - It’s Alright to Cry (written by Carol Hall, performed by Rosey Grier)
This touching song reassures children that it’s perfectly acceptable to express emotions, emphasizing that feelings are a natural part of life. - William’s Doll (music by Mary Rodgers, lyrics by Sheldon Harnick, performed by Alan Alda and Marlo Thomas)
The story of a boy who loves a doll challenges societal norms, illustrating that nurturing should not be confined to gender roles. - Atalanta (written by Betty Miles, performed by Alan Alda and Marlo Thomas)
This fairy tale about a clever princess highlights that happiness does not solely come from marriage, reinforcing the idea of independence. - Girl Land (music by Mary Rodgers, lyrics by Bruce Hart, performed by Jack Cassidy and Shirley Jones)
A satirical look at restrictive gender expectations, this eerie song critiques the idea that girls must conform to a specific societal mold. - Glad to Have a Friend Like You (written by Carol Hall, performed by Marlo Thomas)
Closing with a sweet celebration of friendship and individuality, this catchy tune encapsulates the album’s message of acceptance.
Listening to “Free to Be…You and Me” today feels like a joyful whirlwind. It’s a vibrant collection of songs that also doubles as a mini-education on gender politics in just 45 minutes. As I reflect on these tunes, it’s clear that their lessons are just as vital for today’s kids. After all, no child should grow up without experiencing the joyous spirit of that title track at least once.
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In summary, “Free to Be…You and Me” is more than just a nostalgic blast from the past; it’s a powerful reminder of the importance of acceptance, individuality, and emotional expression that remains relevant for children today.