If there are two things I’m passionate about, it’s the Regency era and the brilliance of Shonda Rhimes. These two elements beautifully intertwine in Netflix’s “Bridgerton.” This captivating drama, set against the backdrop of Regency England, encapsulates everything we adore about Shondaland, with the added flair of corsets and waistcoats. With eight hour-long episodes, it’s an absolute delight—think of it as “Gossip Girl” meets “Hamilton,” but with a diverse cast of attractive young actors and those charming British accents. Seriously, what’s not to love? If you’re looking for a binge-worthy series, look no further.
“Bridgerton” draws inspiration from Julia Quinn’s novels, which, while not written during the Regency, belong to a Regency romance genre that reflects the era. Quinn’s writing introduces a contemporary twist, allowing for more modern ideals and a greater emphasis on sensuality and romance than typical within the genre. This makes for compelling television, especially in the capable hands of Shonda Rhimes and her team.
A significant distinction between the “Bridgerton” books and the series is the representation of diversity. While Shondaland is known for its racially diverse casts, many readers, particularly women of color, have pointed out that Quinn’s novels remain predominantly white. The decision to diversify the cast (with Quinn’s approval) is commendable; however, integrating Black characters into a narrative where they were largely absent presents challenges. For instance, while reports suggest Queen Charlotte may have had African ancestry, the show could have explored the complexities of race more deeply. The Duke’s desirability shouldn’t be taken for granted, yet the series largely avoids addressing his racial identity—apart from a brief mention by Lady Danbury about the challenges faced by Black individuals in aristocracy. This omission leaves potential for richer storytelling untapped, as conversations about race could have added depth and tension.
That being said, I absolutely love the portrayal of Black aristocrats in “Bridgerton.” It’s refreshing to see representation that mirrors my own experiences, even if some may argue it’s historically unrealistic. Queen Charlotte is a fascinating character, and I wish we could see more of her, especially since her story could be expanded into a spin-off about her relationship with King George. Lady Danbury stands out as one of the best characters, embodying the no-nonsense, perceptive “auntie” archetype. Her bond with the Duke is heartfelt, and the flashback scene where she confronts his father is simply iconic.
Now, let’s discuss the Duke. I have to express my admiration for Rege-Jean Page. I’ve been a fan since his performance in a modern adaptation of “Roots.” He brings a captivating dimension to Simon, transcending the typical tortured hero trope. Page infuses Simon with charisma and complexity, as evidenced by his struggle with a stutter—an integral part of his character that is portrayed with sensitivity.
The chemistry between Page and Phoebe Dynevor, who plays Daphne Bridgerton, is electric. It’s not just about the steamy scenes (which there are plenty of!). Their connection is palpable in subtle moments, like shared glances and gentle touches, which often feel more intimate than explicit encounters. And yes, if I had access to a castle like that, I’d want to explore every room, too! “Bridgerton” handles sex with finesse, balancing sensuality without crossing into gratuitous territory.
Daphne and Simon’s relationship heavily revolves around physical intimacy, and while this is relatable, their lack of communication leads to significant issues. Their infatuation makes it easy to overlook the importance of dialogue, a dynamic that feels true to young love—who thinks about talking when they’re caught up in passion? However, this absence of communication creates dramatic tension, aligning well with the soap opera style of “Bridgerton.” It’s worth noting that there is a non-consensual scene that, while pivotal to the plot, is deeply uncomfortable.
Despite this moment, there’s an abundance to appreciate in “Bridgerton.” I’m eager to learn more about the original Viscount Bridgerton and Anthony’s journey. Julia Quinn’s series features a book for each Bridgerton sibling, and I’m hopeful we’ll see adaptations for all eight characters. I have burning questions about Eloise and want more insight into Henry. Plus, the Featheringtons remind me of Cinderella’s villainous stepfamily; I’d love to uncover their backstory to understand why they’re so widely disliked.
Overall, “Bridgerton” delivers everything I anticipated. It’s pure escapism, an ideal distraction given the current climate, and the performances are stellar. While certain plot elements may fall short, the first season is thoroughly enjoyable. Here’s hoping Netflix greenlights a second season, as I’m eager to see what unfolds next!
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Summary:
“Bridgerton” is a modern take on Regency romance that combines Shonda Rhimes’ storytelling flair with a diverse cast. While it explores themes of love and intimacy, it also misses opportunities to delve deeper into racial dynamics. The chemistry between the leads is undeniable, and the show manages to balance romance with drama, making it a captivating watch. Its escapist nature provides a much-needed distraction in challenging times, leaving viewers eager for more.