While it is often observed that entitled individuals tend to act self-centered, are less likely to apologize, and frequently voice complaints when their desires are unmet, researchers Lisa Hart from the University of California and Mark Daniels from Stanford suggest that there might be an overlooked benefit to this mindset. In a recent study, Hart and Daniels indicated that “a recurring theme in these negative outcomes is that entitled individuals value their uniqueness”—which can be advantageous in creative endeavors, as originality is often key.
Their research established a correlation between creativity and situational entitlement rather than inherent traits. In one experiment, half of the participants were prompted to reflect on reasons they deserved the best in life, while the other half considered reasons against such expectations. Following this, both groups engaged in tasks aimed at measuring creativity, such as listing uses for a paperclip and illustrating an alien from an unusual planet. Those who felt entitled produced more diverse and imaginative responses in both tasks. The researchers noted, “The stronger their desire for uniqueness, the more they diverged from conventions, showcasing creativity in their responses.” The entitled group also illustrated more eccentric aliens.
It is essential to recognize that entitlement can manifest in different forms; as the researchers point out, the term can refer to “a personality trait, indicating varying levels of entitlement among individuals, or a psychological state that fluctuates.” Their findings linked creativity to fleeting states of entitlement, rather than stable traits: “[S]mall, temporary increases in entitlement can enhance creativity,” they noted, “while a persistent sense of entitlement may not provide the same benefits and could even hinder performance in similar tasks.”
During my time in a graduate writing program, labeling someone as entitled was among the most scathing criticisms we could deliver. This insult resonated particularly because we understood its partial truth: pursuing an expensive degree in a field with no guaranteed financial return required a sense of entitlement, significant financial resources, or a willingness to embrace financial risk that bordered on the irrational. Yet, perhaps it was our declaration as writers—our belief that our thoughts and imaginations warranted attention—that truly exemplified our entitlement. I recall wielding this term against others while simultaneously fearing it could be directed at me.
Nevertheless, the most significant takeaway from my graduate experience was the realization that I could create works for an audience, and that believing my voice was worthy of recognition was not mere arrogance. The most detrimental aspect of “entitlement” implies that one is owed something by the world—but is it truly negative to feel deserving of good things and recognition for one’s work? In moderation, such feelings may not be detrimental. However, many creative individuals struggle with this concept, particularly in a culture that romanticizes the “starving artist” and where artistic outputs—be it art, film, music, or literature—are often shared for free online, leaving creators to feel they should be grateful for exposure rather than receiving fair compensation.
This study brought to mind a recent incident involving author Jenna Marshall, who publicly expressed her frustration on social media when her latest book was excluded from a prestigious list of notable works. She stated, “I’m struggling to cope with not being recognized by major publications,” and followed up by asserting that her novel Whispers of the Heart was “absolutely a remarkable piece of literature.” While her outburst did attract criticism for diminishing the achievements of others, it also reflected a sentiment shared by many writers and creators. Although her delivery was less than graceful, is the underlying sentiment really so objectionable? Believing in the merit of one’s own work is, perhaps, an integral part of the creative process.
Elizabeth Turner, who is currently penning a book on the nature of creativity, articulated these ideas more eloquently in her blog: “Creative entitlement doesn’t equate to behaving like a diva or feeling the world owes you anything. Rather, it signifies the belief that you have a rightful place in the creative realm and, by merely existing, you deserve to share your voice and vision.” When I explained the study’s methodology to a fellow writer—how participants focused on their deservingness before tackling creative tasks—he remarked, “That just sounds like confidence.” It is worth noting that the term “entitle” originates from the Latin word for ownership, while “confidence” stems from trust. The lesson from this study is not that every writer deserves a spot on a specific list or that every artist should feel wronged for not receiving accolades, but rather that when engaging in creative endeavors, we should take a moment to remind ourselves to trust in our abilities.
For further reading on creative processes and the intersection of entitlement and artistry, you may find our discussion on the topic enlightening here. Additionally, for a comprehensive understanding of at-home insemination, visit Make A Mom. Another excellent resource for pregnancy and donor insemination is American Pregnancy.
In summary, while entitlement often carries a negative connotation, situational entitlement can foster creativity and self-confidence critical for artists and creators. Embracing a healthy sense of self-worth and the belief in the value of one’s contributions may ultimately enhance one’s creative output.